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	Comments on: Notes on the context of 21st century character formation	</title>
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	<link>http://www.makingchutney.com/2003/12/04/notes-on-the-context-of-21st-century-character-formation/</link>
	<description>One part facial hair.  Two parts moxy.</description>
	<lastBuildDate>Fri, 14 May 2004 22:32:46 +0000</lastBuildDate>
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		<title>
		By: phil		</title>
		<link>http://www.makingchutney.com/2003/12/04/notes-on-the-context-of-21st-century-character-formation/comment-page-1/#comment-737</link>

		<dc:creator><![CDATA[phil]]></dc:creator>
		<pubDate>Fri, 14 May 2004 22:32:46 +0000</pubDate>
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					<description><![CDATA[Important post. Much to consider here. Consumption as self-definition, ritual of belonging, as secular sacrement. Reminds me to those who spend most of their time in visiting a museum in the gift shop. They can only &quot;take in&quot; the art fully by owning an item somehow imprinted with the art, or related to it by continguity.  &quot;I may not understand it, but I wear it.&quot;]]></description>
			<content:encoded><![CDATA[<p>Important post. Much to consider here. Consumption as self-definition, ritual of belonging, as secular sacrement. Reminds me to those who spend most of their time in visiting a museum in the gift shop. They can only &#8220;take in&#8221; the art fully by owning an item somehow imprinted with the art, or related to it by continguity.  &#8220;I may not understand it, but I wear it.&#8221;</p>
]]></content:encoded>
		
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		<title>
		By: chutney		</title>
		<link>http://www.makingchutney.com/2003/12/04/notes-on-the-context-of-21st-century-character-formation/comment-page-1/#comment-591</link>

		<dc:creator><![CDATA[chutney]]></dc:creator>
		<pubDate>Thu, 04 Dec 2003 21:42:56 +0000</pubDate>
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					<description><![CDATA[Is overprofessionalization of the professions a US-only phenomenon?  Or is it happening everywhere?
]]></description>
			<content:encoded><![CDATA[<p>Is overprofessionalization of the professions a US-only phenomenon?  Or is it happening everywhere?</p>
]]></content:encoded>
		
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